Lightning was cracking in the skies outside, and the Quadricentennial parade had been postponed. But not for long.
And the parade lurched down Main Street. Unlike your basic Fourth or Mardi Gras procession, the Quad parade was designed as a showcase for artists all over the area (some came from as far as Boston). So at predetermined intervals, the parade halted, allowing the performers to show their skills to a new segment of the crowd.
The thunder had retreated, but it kept raining. And raining. Main Street was starting to look like a shallow stream bed.
Never have I seen so many people so determinedly ignore a downpour. The colorful Morris dancers ignored it. The Bread & Puppet folks toting papier mâché effigies of elemental spirits with a Wild Things vibe ignored it. "Samuel de Champlain" and his two strapping Abenaki companions — floating above the crowd in their canoe — ignored it. A whole truck bed of very courageous young dancers in Roaring Twenties gear ignored it. Some of the participants walked barefoot — the better not to slip, presumably — and some swathed their costumes or gear in plastic sheets, but most simply allowed themselves to be drenched. And they kept on dancing, gesticulating, clowning or whatever.
For the (somewhat attenuated) crowd along Main Street, it was an odd experience. Some people clapped resolutely to encourage the performers; others just stared. It was impossible not to think about how the parade — a one-of-a-kind jumble of historical periods, ethnicities, performance styles and political messages, a parade like most of us will never see again in our lifetimes, all revolving around the nominal inspiration of 1609 — would have looked under blue skies, gleaming in the sunlight. Then again, if the sun had shone, if the rain had even briefly stopped, we wouldn't have seen quite such a display of mettle. It was affecting. I'm not one to pull out this word lightly, but it was inspirational.
Yeah, it would have been better in the sun. (And, as if those elemental spirits were adding insult to injury, less than an hour after the parade ended, the sky cleared and the sun shone once more.)
But it was still a pretty damn cool parade. It had a horse that two-stepped (or something) with a guy in Shakespearean gear on its back. It had a llama and a drenched German shepherd. It had dragons. It had a scrappy clown guy on a bike wearing the head of a brontosaurus. It had a large and proud VSA Arts contingent. It had a giant Wicker Woman adorned with cedar branches. (OK, maybe she wasn't wicker, but I couldn't help wondering who might get ritually burned inside to appease said elemental spirits, as was once druidic custom. Perhaps one of the tall papier mâché billionaires who begged for a bailout, while a much smaller Bread & Puppeteer marched behind them with a sign that read simply UNEMPLOYED?)
In short, it ran the gamut from the silly to the touching to the sublime, and that's what a good community parade (or in this case, watershed heritage parade) should do.
Then everyone went indoors to dry off and eat dinner or socialize and see Ween at the waterfront or Ice Age or Bruno, and the sun came out. As it will do. And we now know that, while rain on your parade is nasty, it doesn't mean no parade. Thanks, folks.
Sunday update: How could I forget to mention that my long-suffering sister Eva Sollberger (pictured) was filming the whole thing for Stuck in Vermont while holding a leaky umbrella over her camera? One of the local celebs who served as guest umbrella holders was none other than Merrill Jarvis III of Merrill's Roxy.