The biennial is remarkable for its scale, clarity of vision and commitment to making current Native art visible to a broader public.
Courtesy of Art Mûr
“Kill the Indian, Save the Man” by Nicholas Galanin
Courtesy of Art Mûr
“Mona Lisa Smile,” digital print by Alison Bremner
Courtesy of Art Mûr
“Tetrahedron 1,” beaded sculpture by Nico Williams
Courtesy of Art Mûr
“Computer Desk,” soapstone and ivory sculpture by Ningeosiaq Ashoona
Courtesy of Art Mûr
Untitled drawing by Qavavau Manumie
Courtesy of Art Mûr
“Home Coming,” digital print by Sonny Assu
Courtesy of Art Mûr
“Carousel,” sculpture by Ludovic Boney
Courtesy of Art Mûr
“Freedom Flag” by Richard Heikkila-Sawan
Courtesy of Art Mûr
“Woodland Child in Gas Mask” by Naomi Bebo
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Courtesy of Art Mûr
“Woodland Child in Gas Mask” by Naomi Bebo
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