Art Review

Sculptor Cindy Blakeslee Gives Junk a Makeover — and Keeps It From the Landfill

By Pamela Polston | May 18, 2022

An Exhibition by Bill Ramage Revisits Jackson Pollock, the Cold War and the CIA

By Pamela Polston | May 11, 2022

"Gratitude in a Time of Loss #1-611" by Daryl Burtnett

An Exhibition by Axel Stohlberg and Daryl Burtnett Confronts Loss

By Amy Lilly | May 4, 2022

Middlebury College Museum of Art, Reenvisioned, Opens to the Public

By Pamela Polston | Apr 27, 2022

Roberto Visani’s Sculptures Reconfigure Slavery in Art History

By Pamela Polston | Apr 20, 2022

A New Sculpture by Stowe Artist Christopher Curtis Goes the Distance

By Pamela Polston | Apr 13, 2022

Online Exhibition 'Our Collection' Traces the Origins of Shelburne Museum

By Amy Lilly | Apr 6, 2022

Shadows, Layers and Wildlife Inform Tara Thacker’s Exhibition of Sculpture and Prints

By Pamela Polston | Mar 23, 2022

Shanta Lee Gander’s Multimedia 'Dark Goddess' Exhibition Reclaims the Sacred Feminine

By Pamela Polston | Mar 16, 2022

In Eric Aho's Paintings at the BCA Center, Landscape Is Exuberantly Abstract

By Amy Lilly | Mar 9, 2022

In Sarah Trad’s 'What Still Remains,' the Foreign Becomes Familiar

By Pamela Polston | Mar 2, 2022

On wall, from left: "Portrait #158" by Charles Lysogorski, small untitled portraits and "Condor" by Ann Young, and "Study in Blue Light" by August Burns. Front: "Voices" by Susan H. Wilson

'Face It' at Studio Place Arts Promotes the Portrait

By Pamela Polston | Feb 23, 2022

At T.W. Wood, Sabrina Fadial’s Sculptures Reference Women’s Bodies and ‘the Bloody Stuff’

By Amy Lilly | Feb 16, 2022

Photographer Catherine Opie Examines Distinctive American Landscapes

By Pamela Polston | Feb 9, 2022

At the Southern Vermont Art Center, Printmakers Reveal the Mokuhanga Method

By Pamela Polston | Feb 2, 2022

Jackson Tupper’s Graphic, Playful Artworks in ‘Mayo’ Reflect on Homebound Life

By Pamela Polston | Jan 26, 2022

'This Land,' at the Hood Museum, Considers the Meaning of Place

By Pamela Polston | Jan 19, 2022

The 2021 Art Shows We Liked Best, and Why

By Pamela Polston | Dec 29, 2021

Will Gebhard Explores Shape and Color in “So It Goes” at Soapbox Arts

By Amy Lilly | Dec 29, 2021

In New Book 'The Heart of Drawing,' Artists Show, Tell and Inspire

By Pamela Polston | Dec 22, 2021

H.L. Adams Optician's Trade Sign, maker unknow

Shelburne Museum Focuses on Vision With the Online Exhibition 'Eyesight & Insight'

By Pamela Polston | Dec 15, 2021

Art Review: Cathy Cone Layers Past and Present in 'There Was Once' at Minema Gallery

By Pamela Polston | Dec 1, 2021

From "Objects of Empire" installation by Bradley Borthwick

Art Review: Bradley Borthwick’s Mixed-Media Installation Presents Relics — or Portents — of Rise and Decline

By Pamela Polston | Nov 24, 2021

From left: "Our Unfinished Work," "88" and "Taser"

Art Review: William Ransom’s Sculptural Installation Speaks to Racial Reckoning, Seeking Balance and Holding On

By Pamela Polston | Nov 17, 2021

Art Review: 'Unbound,' BCA Center

By Amy Lilly | Nov 3, 2021

Seven Days

Art Review

Sculptor Cindy Blakeslee Gives Junk a Makeover — and Keeps It From the Landfill

Recent Stories

Sculptor Cindy Blakeslee Gives Junk a Makeover — and Keeps It From the Landfill

An Exhibition by Bill Ramage Revisits Jackson Pollock, the Cold War and the CIA

An Exhibition by Axel Stohlberg and Daryl Burtnett Confronts Loss

Middlebury College Museum of Art, Reenvisioned, Opens to the Public

Roberto Visani’s Sculptures Reconfigure Slavery in Art History

A New Sculpture by Stowe Artist Christopher Curtis Goes the Distance

Online Exhibition 'Our Collection' Traces the Origins of Shelburne Museum

Shadows, Layers and Wildlife Inform Tara Thacker’s Exhibition of Sculpture and Prints

Shanta Lee Gander’s Multimedia 'Dark Goddess' Exhibition Reclaims the Sacred Feminine

In Eric Aho's Paintings at the BCA Center, Landscape Is Exuberantly Abstract

In Sarah Trad’s 'What Still Remains,' the Foreign Becomes Familiar

'Face It' at Studio Place Arts Promotes the Portrait

At T.W. Wood, Sabrina Fadial’s Sculptures Reference Women’s Bodies and ‘the Bloody Stuff’

Photographer Catherine Opie Examines Distinctive American Landscapes

At the Southern Vermont Art Center, Printmakers Reveal the Mokuhanga Method

Jackson Tupper’s Graphic, Playful Artworks in ‘Mayo’ Reflect on Homebound Life

'This Land,' at the Hood Museum, Considers the Meaning of Place

The 2021 Art Shows We Liked Best, and Why

Will Gebhard Explores Shape and Color in “So It Goes” at Soapbox Arts

In New Book 'The Heart of Drawing,' Artists Show, Tell and Inspire

Shelburne Museum Focuses on Vision With the Online Exhibition 'Eyesight & Insight'

Art Review: Cathy Cone Layers Past and Present in 'There Was Once' at Minema Gallery

Art Review: Bradley Borthwick’s Mixed-Media Installation Presents Relics — or Portents — of Rise and Decline

Art Review: William Ransom’s Sculptural Installation Speaks to Racial Reckoning, Seeking Balance and Holding On

Art Review: 'Unbound,' BCA Center

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